- What is Slow-Parenting? – Motherlode Blog – NYTimes.com – Slow parents understand that childrearing should not be a cross between a competitive sport and product-development. It is not a project; it’s a journey. Slow parenting is about giving kids lots of love and attention with no conditions attached.
Posts Tagged: starwars
12
Apr 09
Daily Links for April 11th through April 12th
19
Sep 08
From the Department of Unfortunate Anagrams…
Oh Dear. Hank Paulson’s transcript, via Calculated Risk:
The federal government must implement a program to remove these illiquid assets that are weighing down our financial institutions and threatening our economy. This troubled asset relief program must be properly designed and sufficiently large to have maximum impact, while including features that protect the taxpayer to the maximum extent possible. The ultimate taxpayer protection will be the stability this troubled asset relief program provides to our financial system, even as it will involve a significant investment of taxpayer dollars. I am convinced that this bold approach will cost American families far less than the alternative – a continuing series of financial institution failures and frozen credit markets unable to fund economic expansion.
If you are aware of all internet traditions, you may be reminded of the above picture, which was inspired by this scene in Star Wars:Return of the Jedi with Admiral Ackbar:
Perhaps I should have retitled this post as from the Department of Mixed Metaphors or Unintended Interpretations?
2
Nov 05
Star Wars as Post-Modern Art House Film?
Via Slate:
"Star Wars, at its secret, spiky intellectual heart, has more in common with films like Peter Greenaway’s Prospero’s Books or even Matthew Barney’s The Cremaster Cycle than with the countless cartoon blockbusters it spawned. Greenaway and Barney take the construction of their own work as a principal artistic subject, and Lucas does, too. ‘This poem is concerned with language on a very plain level,’ one of John Ashbery’s works begins. Star Wars, we might say, is concerned with plot on a very plain level. Everything about the films, from the opening text crawls to the out-of-order production of the two trilogies, foregrounds the question of plot. As an audience, we grapple with not just the intricate clockwork of a complex and interwoven narrative, but, in postmodern fashion, with the fundamental mechanics of storytelling itself."
